Bibliography

Highlights from selected publications (in chronological order)

  • Edwards, Gwenanne, Adrienne Lundgren, Marcie B. Wiggins, and Colette Hardman-Peavy. 2024. “Tricks of the Shade: Preservation of Chemically Developed Shading Papers Based on DuoShade Samples.” Journal of the American Institute for Conservation 63 (4): 277-294. 

  • Chari, Celia S., Zane W. Taylor, Anikó Bezur, Sujing Xie, and Katherine T. Faber. 2022. “Nanoscale engineering of gold particles in 18th century Böttger lusters and glazes.” Proceedings of the National Academy of Sciences 119 (18): e2120753119. 

  • Wingel, Kelsey, Richard Hark, Katherine Schilling, Marcie Wiggins, Pablo Londero, Anikó Bezur, and Cynthia Schwarz. 2021. “Hazy Conditions: Revealing the Materials and Techniques of Edwin Austin Abbey’s Efflorescing Oil Paintings and Exploring New Approaches to Treatment.” The AIC Paintings Specialty Group Postprints 32: 131-156. 

  • David, Jessica, Richard R. Hark, and Edward Town. 2021. ““A Real Master Among Hundreds”: The Secrets and Techniques of Seventeenth-Century Portraiture in Britain.” Materia 1 (1): 7-28. 

  • Bezur, Anikó, Lynn Lee, Maggi Loubser, and Karen Trentelman. 2020. Handheld XRF In Cultural Heritage: A Practical Workbook for Conservators: Los Angeles: Getty Conservation Institute; New Haven: Institute for the Preservation of Cultural Heritage at Yale University.

  • Wingel, Kelsey, Richard Hark, Katherine Schilling, Cynthia Schwarz, and Anikó Bezur. 2019. “Efflorescence on the Paintings of Edwin Austin Abbey: Examination, Analysis, and Cleaning of Surface Bloom on The Spirit of Light.” In Conservation of Modern Oil Paintings, edited by Klaas Jan van den Berg, Ilaria Bonaduce, Aviva Burnstock, Bronwyn Ormsby, Mikkel Scharff, Leslie Carlyle, Gunnar Heydenreich and Katrien Keune, 297-307. Cham: Springer International Publishing. 

  • Bezur, Aniko, Pedro HO Campos, Silvia A Centeno, Isabelle Duvernois, Frauke Josenhans, Pablo Londero, Ana Goncalves Magalhaes, Marcia Rizzutto, and Cynthia Schwarz. 2018. “Modigliani’s late portraits.” The Burlington Magazine 160: 401. 

  • Passeri, Irma, Annika Finne, and Anikó Bezur. 2017. “Gel formulations coupled with mechanical cleaning techniques to remove old overpaint and pigmented coatings on a large altarpiece by Piero di Cosimo.” In Gels in the Conservation of ArtGels in the Conservation of Art, edited by Lora Angelova, Bronwyn Ormsby, Joyce H. Townsend and Richard Wolbers, 306-314. London: Archetype Publications. 

  • Krez, Anna, Mark D. Mitchell, and Anikó Bezur. 2017. “Art of Darkness: Ralph Albert Blakelock’s Moonlight.” Yale University Art Gallery Bulletin: 42-48. 

  • Josenhans, Frauke V., Cynthia Schwarz, and Anikó Bezur. 2017. “Promenade des Anglais (Midi).” In Francis Picabia: Materials and Techniques, edited by Michael Duffy, Talia Kwartler, Natalie Dupêcher and Anne Umland, 37-42. Online: Museum of Modern Art. 

  • Zyats, Paula, Erin Mysak, Jens Stenger, Marie-France Lemay, and David D. Driscoll. 2016. “Physical Findings.” In The Voynich manuscript, edited by Raymond Clemens, 23-37. New Haven: Yale University Press. 

  • Bezur, Anikó, Gwénaëlle Kavich, Jens Stenger, Elena Torok, and Carol Snow. 2015. “Discovery of challacolloite, an uncommon chloride, on a fifteenth-century polychrome terracotta relief by Michele da Firenze.” Applied Physics A 121 (1): 83-93. 

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